Clarens Renois Announces the Upcoming Release of Two Books: A War Testimony Between Haiti and Jerusalem, a Political Essay for a National Awakening
By Jean Wesley Pierre · Port-au-Prince
· 5 min read
Translated from French — AI-assisted and reviewed by the editorial team. The French version is authoritative. Read the original · About our translation policy

Clarens Renois never ceases to surprise. A man of his word in Haiti, a sharp critic of the transition, a committed political actor at the head of UNIR-Haiti, he is also – and perhaps above all – a writer. It is in this latter capacity that he spoke to Le Relief this Monday, April 27, 2026, announcing the completion and upcoming publication of two books.
“There is a constant back-and-forth between the politician and the writer,” he describes himself. A formula that sums up his double life: that of an engaged observer and a man of letters for whom writing is both an outlet and an act of resistance.
First work: a war testimony between Haiti and Jerusalem
The first book is of a rare nature. Clarens Renois recounts his forced immersion in war. Stranded in Israel while the country was in a state of active conflict, he experienced from the inside what he describes as an ordeal of daily fear.
“I bear witness to this subject, to tell people how I experienced this war, to tell them what I went through in the apartment where I was, in fear of the bombing planes and the howling of anti-missile sirens,” he confides.
This account is intended as a raw, unfiltered plunge into the daily life of a civilian caught in a conflict they did not choose.
The originality of the work lies in its dual perspective: the author does not merely describe the bombings or the alerts. He offers a “journey between Haiti and Jerusalem,” drawing parallels between two countries that are geographically opposed but strangely brought together by violence, uncertainty, and resilience.
Why Haiti? Because, according to Renois, one cannot understand a people's resistance without having experienced fear and survival on a daily basis. This testimony, he announces, is not a classic war report. It is an existential confession.
This first book might surprise the Haitian public, more accustomed to the political stances of the journalist and leader of UNIR-Haiti, Clarens Renois, than to personal introspection. Yet, that may be its greatest strength. By telling the war from an apartment, without heroism or posturing, Renois joins a tradition of testimonial literature – that of the writer who reports not facts, but emotions. A risky bet, but potentially powerful in reaching a young readership often indifferent to classic geopolitical analyses.
Second work: a political essay, a heartfelt cry for Haiti
The second book is of a more familiar nature for Clarens Renois. It is a political essay, but one that should not be reduced to a disguised program.
“It is a book that is more of a political essay, a declaration of love and faith as well,” he specifies.
The author defends a central idea: despite the trials, despite the institutional collapses, Haiti possesses “an extraordinary history” worth fighting for.
The essay is conceived as a call, a “heartfelt cry,” to provoke what Renois calls “a national citizen awakening.”
According to him, this awakening is already germinating somewhere in Haitian society. It is not about waiting for a savior or external intervention, but about allowing this spontaneous movement to express itself, organize, and retake the path of the nation's founding ideals: liberty, equality, fraternity.
The work aims to be both lucid and resolutely optimistic. Lucid about the scale of the disaster — insecurity, corruption, collapse of public services. Optimistic about Haitians' ability to reject chaos.
By writing an openly lyrical political essay – a “declaration of love” – Renois takes the opposite approach to the technocratic analyses that dominate the national debate. Where others see macroeconomic indicators or reform plans, he calls first for a symbolic reconquest. This is a position that can be criticized — too much emotion, not enough concrete — but it has the merit of reminding that Haitian politics cannot be reduced to emergency management. The stakes are also civilizational: what does it mean to be Haitian today?
Two completed books, in the editing phase
Clarens Renois is clear: both manuscripts are finished. They are currently “in the editing phase before publication.”
No precise release date has been given, but the announcement suggests the books could be available very soon.
“A constant journey between the politician and the writer”
This double announcement confirms a singularity in Clarens Renois within the Haitian landscape.
Unlike many politicians who publish ceremonial memoirs or disguised programs, he seems to cultivate a true writer's posture – in the noble sense of the term.
The war testimony, in particular, places him in a rare category: that of Haitian intellectuals who have experienced an armed conflict other than that of their own country. This shift offers a fresh, almost comparative perspective on political violence.
As for the political essay, it comes at a time when Haiti is going through one of its darkest periods. Calling for a “citizen awakening” may seem naive. But Renois bets that hope, even stubborn, is more subversive than conventional pessimism.
A strong signal in the Haitian editorial silence
In a country where publishing remains a fragile sector, where local publishing houses struggle to survive, the announcement of two books by a personality like Clarens Renois is an event in itself. It reminds us that literature and politics can still dialogue, despite the noise of weapons and the clamor of instant communication.
It remains to be seen whether these two works will find their audience. The war testimony, by its universal nature, could appeal beyond Haiti's borders. The political essay, for its part, will be judged on its ability to convince that the citizen awakening is still possible.
In the meantime, Clarens Renois has already won his bet: that of making a free, personal, and committed voice exist through writing. “Between the politician and the writer,” he says. But in the end, the two may be one and the same.



